News Channels
Debate grids, breaking straps, and anchor windows re-produced vertically while the story is live — beating third-party clippers to your own moments.
A virtual vertical studio that plugs into your production control room (PCR) — learns every visual layer in news context, and re-produces broadcast-ready 9:16 for both Live and VOD. Graphics, humans, tickers: nothing critical left behind.
GLASS-TO-VERTICAL
COMPOSABLE 9:16
FROM YOUR PCR
PLUGIN-CLASS
Capabilities
Your gallery produces the broadcast. VerticalStudio produces the vertical — from the same feed, at the same time.
One feed in. That’s the integration.
VerticalStudio sits beside your production control room (PCR) like a plugin. One standard feed out of your existing chain, and the vertical production is on — for the live output and your VOD library alike.
It sees layouts, not just faces
The engine learns the visual grammar of news — anchor windows, multi-guest debate boxes, lower thirds, tickers, full-screen graphics, PiP windows — and understands each layer in its editorial context.
Condensed, never cropped
Every layer is re-composed into 9:16 — the information is condensed to the vertical orientation without dropping the critical elements: graphics cuts, human cuts, ticker data, headline straps.
The vertical vision-mix
Each show’s compositions are saved once — anchor full, debate 2×3, markets main-plus-ticker — and recalled with a keystroke. Switching profiles is the vertical vision-mix.
Your furniture, rebuilt for vertical
Channel bugs, format badges, animated GIF stingers, and titles are overlaid natively in 9:16 — designed for the vertical canvas, not cropped from 16:9 furniture.
One studio, every output
Every session simultaneously produces a live vertical stream and recorded vertical clips ready for Shorts and Reels — and the same studio and profiles work on your VOD library, turning the archive vertical too.
Use cases
Exactly the content that automated centre-crops destroy — debate grids, tickers, result boards — is where VerticalStudio earns its place in the gallery.
Debate grids, breaking straps, and anchor windows re-produced vertically while the story is live — beating third-party clippers to your own moments.
Stacked tickers, charts, and market bands — the content that centre-crops destroy — condensed into 9:16 with every number intact.
Mobile-first, TV-second audiences get vertical-native bulletins without the headcount of a second production team.
Result boards, swingometers, and multi-window coverage go vertical in real time — for the moments where speed-to-platform is the whole game.
Live match coverage with score bugs and stats bands re-framed vertically for Shorts and Reels audiences as the action happens.
The 4–6 guest argument is the product — VerticalStudio keeps every guest in frame with stacked and grid vertical layouts.
Business value
Vertical isn't a nice-to-have output — it's where the audience, the algorithms, and the ad money are moving. VerticalStudio changes the cost structure of getting there.
Hours → seconds
Today, editors recut bulletins hours after air — the moment is cold by the time it posts. VerticalStudio puts the vertical out while the story is still live, when platform reach and engagement peak.
2–3 shifts
The comparator isn’t software — it’s the vertical post-editors working shifts to keep up. One operator with saved profiles covers an entire lineup, and adds live capability that no post workflow can offer.
100% yours
Third-party clippers reframe your best moments and monetise them before you do. Publishing vertical-native first keeps the views, the audience relationship, and the revenue on your channels.
Under-35
News consumption for younger and mobile-first viewers has moved decisively to vertical short-form. Platforms structurally favour vertical-native content — horizontal rips with black bars underperform by design.
New inventory
A vertical live stream and a daily stream of Shorts and Reels create sponsorable, brandable, platform-monetisable inventory — from programming you are already producing.
VOD + Live
The same studio and the same profiles run over your VOD library — turning years of horizontal content into vertical output with near-zero marginal effort.
Why VerticalStudio
Nothing else sits beside the PCR, works on the live feed, understands layouts — not just faces — and needs one operator or less.
Treats the frame as regions of editorial content — guest boxes, tickers, graphics — because that’s what news is. AI-crop tools track faces and lose everything else.
The vertical exists while the story is live. Post-production reframing tools structurally cannot compete on speed.
One additional encoder output from your existing chain. No PCR rebuild, no second gallery, no post-production queue.
Broadcasters keep the mix decision — nothing goes out that an operator didn’t shape. Critical for news trust and compliance.
The setup cost is paid once per show format — then every episode is near-zero marginal effort, and one operator covers multiple shows.
Docker-containerised, runs on commodity hardware inside your walls — the feed never leaves the building unless you choose cloud.
Glass-to-vertical well inside a 60-second SLA today — with a roadmap to sub-second via WebRTC.
Your vertical goes out while the TV moment is still hot — beating the clip pirates who monetise your content hours later.
Every output carries what your downstream systems need — chaptering, contextual ads, compliance logging — without manual work.
Presets, keystrokes, live drag on the source — an operator model your gallery staff already understand, not a new discipline.
Start with one operator per marquee show; profiles stretch one operator across shows; AI assist suggests and executes switches under supervision.
Pairs with ReelCraft for dubbing, subtitles, and one-click multi-platform publishing — one vertical, every platform and language.
One feed from your PCR in — a broadcast-ready 9:16 stream and vertical clips out, for both live and VOD. See it on your own programme formats.
Contact Sales